Venice Film Festival showcases major Oscar contenders

Emma Stone shaved her head completely bald for Yorgos Lanthimos’ “Bugonia,” earning a nearly seven-minute standing ovation at its Venice premiere on August 28.
Jacob Elordi underwent extensive makeup transformations to play Frankenstein’s monster in Guillermo del Toro’s “Frankenstein,” which received the festival’s longest 13-minute standing ovation with both Elordi and Oscar Isaac moved to tears.
The Venice Film Festival has positioned itself as a crucial Oscar launchpad, with four best picture winners hosted since 2014 including “Nomadland” and “The Shape of Water”.
Both Stone and Elordi’s dramatic physical transformations are generating significant Oscar buzz, with Stone’s bald look inspiring fans online and becoming a social media talking point.
Festival director Alberto Barbera acknowledged the high expectations, stating “the risk of generating disappointment is greater” with such anticipated films competing for awards attention.

The Venice Film Festival is cementing its reputation as a key launchpad for Oscar contenders, with Emma Stone and Jacob Elordi making headlines through dramatic physical transformations for their respective roles. Stone sports a completely shaved head in Yorgos Lanthimos’ “Bugonia,” while Elordi underwent extensive makeup transformations to become Frankenstein’s monster in Guillermo del Toro’s reimagining of Mary Shelley’s classic novel.

Stone’s collaboration with Lanthimos premiered on August 28, earning a nearly seven-minute standing ovation and early critical acclaim with a 100% approval rating on Rotten Tomatoes based on initial reviews. The film, a remake of the 2003 Korean sci-fi thriller “Save the Green Planet!,” features Stone as a pharmaceutical CEO who is kidnapped by conspiracy theorists convinced she’s an alien. Her decision to shave her head on camera has sparked widespread discussion, with Stone telling Vogue there’s “no better feeling in the world” than being bald.nytimes

Awards Season Implications

Venice Film Festival director Alberto Barbera has positioned the 2025 edition as a crucial platform for Oscar hopefuls, acknowledging that “the risk of generating disappointment is greater” with such high expectations. The festival’s strategic timing on the awards calendar has proven successful, with four best picture winners hosted at Venice since 2014, including “Nomadland” and “The Shape of Water”.variety

“Frankenstein” generated the festival’s longest standing ovation at 13 minutes, with both Elordi and Oscar Isaac visibly moved to tears. The $120 million Netflix production represents the streaming platform’s major Oscar push, with del Toro having previously won the Golden Lion at Venice for “The Shape of Water,” which went on to win best picture and best director. Elordi spent 10 hours daily in makeup to transform into the monster, describing the role as “the purest form of myself”.variety

Mixed Reception for Julia Roberts Thriller

Julia Roberts made her Venice debut with Luca Guadagnino’s “After the Hunt,” receiving a six-minute standing ovation despite the film generating controversial discussions. The #MeToo-themed psychological drama, featuring Roberts as a college professor facing allegations against a colleague played by Andrew Garfield, has drawn polarized reactions from critics and sparked debates about its treatment of contemporary issues.variety

Roberts defended the film during a tense press conference, stating it aims to “rejuvenate many longstanding debates” and encourage conversation. Amazon MGM Studios has positioned “After the Hunt” as their key awards contender, scheduling a theatrical release for October 17.hollywoodreporter

The 82nd Venice Film Festival, running through September 6 with Alexander Payne leading the jury, continues to showcase the industry’s most ambitious projects as the awards season officially begins. With Netflix, Amazon, and Focus Features all making significant investments in their Venice premieres, the festival reinforces its status as the premier European launching pad for Oscar campaigns.wikipedia