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Cai Guo-Qiang stages farewell fireworks on Centre Pompidou facade

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  • Chinese artist Cai Guo-Qiang staged a spectacular daytime fireworks display titled “Le Dernier Carnaval” on October 22, 2025, transforming the Centre Pompidou’s iconic facade into a monumental canvas as the museum closed for a five-year renovationartnews.
  • The free 20-minute performance, featuring approximately seven minutes of fireworks with colored smoke and light effects, unfolded in three acts—”The Banquet,” “The Dawn of AI,” and “The Last Carnival”—created in collaboration with Cai’s custom artificial intelligence model, cAI™artnews.
  • The event took place at 5:30 PM on Place Georges-Pompidou during Art Basel Paris, coinciding with the city’s premier contemporary art week and attracting spectators to witness what curator Jérôme Neutres called Cai’s “most profound and complex work yet”sortiraparis.
  • The Centre Pompidou originally closed its doors on September 22, 2025, to begin a major five-year renovation addressing infrastructure needs including asbestos removal and energy efficiency improvements, with plans to reopen in 2030artnews.
  • During the closure, the museum will continue operations through its “Constellation” program, displaying collections at partner venues across France and internationallysortiraparis.

Centre Pompidou Hosts Farewell Fireworks by Cai Guo-Qiang

Chinese artist Cai Guo-Qiang transformed the iconic facade of Paris’s Centre Pompidou into a monumental canvas this evening, staging a spectacular daytime fireworks display titled “Le Dernier Carnaval” (The Last Carnival) to mark the museum’s closure for a five-year renovation.artnews

The 20-minute performance, featuring approximately seven minutes of fireworks accompanied by colored smoke and light effects, drew thousands of spectators to Place Georges-Pompidou at 5:30 PM. Created in collaboration with Cai’s custom artificial intelligence model cAI™, the pyrotechnic spectacle unfolded in three acts: “The Banquet,” “The Dawn of AI,” and “The Last Carnival”.sortiraparis

Historic Farewell Performance

“For the first time in its history, the Centre Pompidou’s facade becomes a monumental painting,” said curator Jérôme Neutres. “Cai delivers his most profound and complex work yet, in dialogue with both AI and the Parisian public.”centrepompidou

The performance coincided with Art Basel Paris, the premier gathering of the international art world taking place at the Grand Palais through October 26. The timing strategically positioned the farewell event during Paris’s most significant contemporary art week, when collectors, curators, and art enthusiasts converge on the French capital.sortiraparis

Cai’s fireworks were specifically designed to respond to the Centre Pompidou’s distinctive industrial architecture, with explosions aligning with the building’s horizontal grids and cantilevered walkways. The colored pigments and smoke drifted through the building’s transparent facade, momentarily transforming how daylight filtered into the plaza.designboom

Revolutionary Closure and Renovation

The Centre Pompidou shuttered its doors on September 22 for an unprecedented five-year transformation project led by architectural firms Moreau Kusunoki and Frida Escobedo Studio. The renovation addresses critical infrastructure needs including complete asbestos removal, structural repairs, and energy efficiency improvements while reimagining visitor circulation and exhibition spaces.parisjetaime

Originally opened in 1977, the building designed by Renzo Piano and Richard Rogers was initially met with mixed reactions, with locals dubbing it “Our Lady of the Pipes”. Now recognized as one of Paris’s most iconic cultural landmarks, the museum houses Europe’s largest collection of modern and contemporary art.nytimes

During the closure, the Centre Pompidou will continue operations through its “Constellation” program, displaying collections at partner venues across France and internationally. A new facility, Centre Pompidou Francilien, is scheduled to open in Massy in fall 2026.centrepompidou

The museum plans to reopen in 2030 as a more accessible and environmentally sustainable institution, reconnecting with its original utopian vision as a multidisciplinary cultural center.archdaily

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