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A collection of 160 works by some of Mexico’s most celebrated artists — including 18 by Frida Kahlo — is at the center of a cultural firestorm after plans emerged to transfer the trove to a new cultural center in northern Spain run by Banco Santander. Nearly 400 Mexican cultural figures have signed an open letter demanding government transparency and opposing what they describe as the “indefinite removal” of legally protected artworks from the country.artnet
The Gelman Collection, originally assembled by Eastern European émigrés Jacques and Natasha Gelman beginning in the 1940s, was acquired in 2023 by the Zambrano family, one of Mexico’s wealthiest business dynasties. In January, it was announced that the collection’s management had been turned over to the Fundación Banco Santander, which rebranded it as the Gelman Santander Collection and planned to debut the works this summer at Faro Santander, a new David Chipperfield-designed cultural venue in Cantabria.theartnewspaper
The backlash intensified after Faro Santander’s director, Daniel Vega Pérez de Arlucea, told Spanish media that the collection would have a “permanent, yet dynamic presence” at the institution. An open letter published on e-flux on March 18 — signed by historians, curators, and artists — argued the move violates Mexican heritage law. “How can Mexicans entrust their financial assets to a bank that, through its decisions, chooses to strip them of their cultural heritage?” the letter read.yahoo
Among the most contentious works are 11 Kahlo paintings, including “Self-Portrait with Monkeys” (1943) and “Diego in My Mind” (1943), which the letter’s authors called “masterpieces essential to understanding Kahlo’s artistic development”. Under a presidential decree from the early 1980s, Kahlo’s works are designated national artistic monuments and cannot be permanently exported, even from private collections.artnet
Mexican President Claudia Sheinbaum defended the arrangement on Monday, saying officials were following the law. Culture Secretary Claudia Curiel de Icaza insisted at a March 30 press conference that the collection “wasn’t sold, it’s only on display temporarily”. Santander released a statement saying the agreement “does not imply permanent removal from Mexico” and that the works are expected to return by 2028.ground
Despite these assurances, critics remain wary. Reports indicate Santander’s agreement runs through 2030 and can be extended by mutual consent. Historian Francisco Berzunza, one of the letter’s eight co-authors, told The Guardian that the decree “was specifically intended to put a lock on private collections. That’s why we’re defending it so vigorously”.artnet
In a further concession, Santander announced this week that the opening of Faro Santander would be delayed from June to September, at the Mexican government’s request, to extend the collection’s current exhibition at Mexico City’s Museum of Modern Art. Roughly 70 works from the collection have been on public view there since February — the first time the Gelman Collection has been exhibited in Mexico in nearly two decades.bbc